火棉摄影：保护的过程 (2020)

　　Through the lens of photographer and physician Eric Overton, Collodion: The Process of Preservation captures a fearless, and uncommonly vulnerable self-portrait of American wilderness, our relationship to each other, and the possibility that nature itself may be all we need to find common ground. Following a series of conversations and interviews the film asks the question: &quot;what happens when all we are left with is a photograph?&quot; It is a reminder of the fragility of art, of nature, and the need to ask ourselves questions. Collodion ends as Overton's son begins to photograph landscapes with an innate sense of wonder and exploration. This is where the heart of the film lies. This is where self-discovery becomes legacy. It is a transformation not of political achievements, or battles won (though they must be fought), but an achievement of what wilderness offers so effortlessly: simplicity, connection, curiosity, and presence.<br /> 　　译文(3): 通过摄影师兼医生埃里克·奥弗顿的镜头，《胶体：保护的过程》捕捉到了一幅无畏、异常脆弱的自画像，描绘了美国荒野、我们彼此之间的关系，以及大自然本身可能是我们寻找共同点所需的一切。在一系列对话和采访之后，这部电影提出了一个问题：；当我们只剩下一张照片时会发生什么&quot；它提醒我们艺术和自然的脆弱性，以及问自己问题的必要性。当奥弗顿的儿子开始拍摄风景时，《胶轮》结束了，他天生就有一种惊奇和探索的感觉。这就是电影的核心所在。这就是自我发现成为遗产的地方。这不是政治成就或赢得的战斗的转变（尽管必须进行战斗），而是荒野毫不费力地带来的成就：简单、联系、好奇和存在。